Oh John Carroll

Tag: academy

At Beyond the Margins, Becky Tuch urges AWP to stop ignoring adjuncts:

Here’s the thing, AWP. The percentage of teaching positions occupied by non-tenure track faculty has more than tripled in the past four decades. According to the Adjunct Project, “Two-thirds of the faculty standing in front of college classrooms each day aren’t full-time or permanent professors.” The Chronicle of Higher Education reports that “the shadowy world of would-be academia is filled with people cobbling together five or six such teaching gigs at once. That’s possible because some 70 percent of college courses offered are now taught by adjuncts—part-timers who are paid a pittance and have no job security.”
Yet, at this year’s conference in Seattle, the biggest AWP conference yet, you did not have a single panel dedicated to adjunct teaching. Nor were there any panels addressing this shift toward part-time faculty at colleges. Absent also were lectures, discussions or Q&A sessions addressing these changes in the academic climate.

Cheating to Learn →

Peter Nonacs describes his innovative twist on his midterm exam:

Gasps filled the room. The students sputtered. They fretted. This must be a joke. I couldn’t possibly mean it. What, they asked, is the catch?

That’s all you get! Go read it.

On Automated Grading →

John Warner writes about automated grading at Inside Higher Ed:

The purpose of writing is to communicate with an audience. In good conscience, we cannot ask students to write something that will not be read. If we cross this threshold, we may as well simply give up on education. I know that I won’t be involved. Let the software “talk” to software. Leave me out of it.

The grade is usually the start of a conversation, not the end of it.

Reliable Sourcing →

At Inside Higher Ed, Scott Jaschik writes about a West Liberty University instructor who told her students not to use Fox News for a political journaling assignment:

The instructor at the West Virginia public institution included some possible news sources, such as The Economist, BBC, CNN and The Huffington Post. But the instructor also specified that two sources could not be used. One was The Onion, which the assignment notes “is not news” and “is literally a parody.”

The other barred source is the one that got the instructor — Stephanie Wolfe — scrutiny this week. She banned articles from Fox News, writing: “The tagline ‘Fox News’ makes me cringe. Please do not subject me to this biased news station. I would almost rather you print off an article from the Onion.”

I faced a similar situation in a class on sports writing.  Many of my students wanted to cite the awful Bleacher Report, and while I wanted to outright ban it, I found it much more helpful to simply address these sources on a case-by-case basis and direct my students toward more reliable and thoughtful sources.  I imagine they learned more in the process than if I had simply banned the web site at the outset of an assignment.

While I can’t say I’m a Fox News viewer or supporter, such a ban does seem further silly for a journaling assignment, which should be a bit more free-wheeling and open.

Do Not Call Us ‘Professor’ →

A group of CUNY adjuncts added language to their syllabi describing what exactly an adjunct is:

Adjuncts are not regular members of the faculty; we are paid an hourly rate for time spent in the classroom. We are not paid to advise students, grade papers, or prepare materials or lectures for class. We are paid for one office hour per week for all of the classes we teach. We are not paid to communicate with students outside of class or write letters of recommendation. Out of dedication to our students, adjuncts regularly perform such tasks, but it is essentially volunteer labor.

When I started adjuncting, I was told to have my students address me as Professor Carroll.  And while I was given some good reasons to do this — the biggest benefit being to teach the students how to treat and address their instructors throughout their time as college students — we were also simply being asked to trick our students.  We pretended to be and provide something we weren’t and did not have.

How To E-Mail Your Professor →

Having been on both sides of these e-mails, I now know how necessary this is.

House of Possibility →

My beloved Kelly Writers House and its director (as well as my former teacher, advisor and boss!) Al Filreis were featured on Today this morning, as part of a five-minute story on Coursera.

Finger Drills

I had the opportunity this week to see Gerald Graff and Cathy Birkenstein give a lecture on “Demystifying Academic Writing,” and even more fortunate to have the chance to ask them a question during a discussion afterwards.

I was interested in an issue they raised during their lecture, as it’s something I’ve encountered in my own teaching.  In They Say / I Say: The Moves That Matter In Academic Writing, Graff and Birkenstein provide many templates for argumentative movement.  They encourage student writers to use these templates as needed in their own work — word for word, even.

But in suggesting this, we each run into a number of students who resist even considering such an approach.  They worry that using templates is an affront to their own creativity and individualism.

I asked Graff and Birkenstein why they think students have these negative reactions to very practical and helpful approaches to writing, considering that we, the teachers, are providing a sort of cheat sheet for what we like to see in academic writing.  Is there a problem in the way we teach genius and creativity, or are these conversations natural to have at the University-level?

In replying, Cathy thought it had broader cultural links to our ideas of American exceptionalism.  But in arriving there, I thought she struck on a very simple parallel I hope to use in my own classrooms: Cathy talked about how students, when learning an instrument or sport (among other things), never object to finger drills on a violin, or dribbling drills at a soccer practice.

Frankly, I was disappointed that such a direct and relatable parallel had never occurred to me before.  I don’t think it’s such a stretch to imagine that a majority of students will have some sort of history with a sport, class, hobby or lesson that they consider creative, but is only grasped through the mimicry and interpretation of previous work.

We don’t use templates to avoid creating something new, but to find what it is we wish to build.

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